The society had accused the Massachusetts-based Suno of infringement over just six songs – “Atemlos,” “Daddy Cool,” “Rasputin,” “Big in Japan,” “Forever Young,” and “Mambo No. 5.” – which GEMA said it had been able to essentially reproduce on Suno through basic prompting, despite the platform’s purpose and business model being to generate “new” sound-based material for users.
Did they try it for songs that weren't in the training data?
